Dixie Carter

[bodine]

Early life

Carter was born in McLemoresville, Tennessee, and spent many of her early years in Memphis. She attended college at the University of Tennessee at Knoxville and Southwestern at Memphis (now Rhodes College). She is a graduate of Memphis State (now University of Memphis) with a degree in English.

At school, she was a member of the Delta Delta Delta sorority. In 1959, Carter competed in the Miss Tennessee pageant, where she placed first runner-up to Mickie Weyland.

[edit] Career

In 1960, Carter made her professional stage debut in a Memphis production of Carousel. She moved to New York City in 1963 and got a part in a production of Shakespeare's The Winter's Tale.

After an eight-year hiatus from acting, she returned to the craft in 1974, when she filled in for actress Nancy Pinkerton as Dorian Cramer Lord on One Life to Live, while Pinkerton was on maternity leave. She subsequently was cast in the role of Assistant D.A. Olivia Brandeis "Brandy" Henderson on the soap opera The Edge of Night, on which she appeared from 1974 - 1976. (She went along with the show when it switched from CBS to ABC.) Carter took the role even though some advised her that doing a daytime soap might negatively affect her career. However, it was with this role that Carter was first noticed, and after exiting The Edge of Night in 1976, Carter pursued prime time television roles.

She also appeared in series such as Out of the Blue, (playing Aunt Marion) On Our Own, (playing publishing executive, April Baxter) Diff'rent Strokes, (playing the first Maggie McKinney Drummond) and Filthy Rich (1982), in which she played the snooty Carlotta Beck.

From 1999 to 2002, she portrayed "Randi King" on the legal drama Family Law, portraying a lawyer for the first time since she was Brandy Henderson on The Edge of Night. In 2004, she would later make a guest appearance on Law and Order: SVU, playing a defense attorney named Denise Brockmorton in the episode called Home, in which she defended the paranoid mother of two children (Diane Venora) who had manipulated her older son to kill the younger son, after breaking her home rules.

Carter's appearance in Filthy Rich paved the way for Carter's best known role, that of interior decorator Julia Sugarbaker in the 1980s/1990s television program Designing Women, set in Atlanta, Georgia. Filthy Rich had been created by Linda Bloodworth-Thomason, who went on to create Designing Women. (Filthy Rich also featured future Designing Women cast member Delta Burke in its cast.) The show enjoyed a seven-year run and made Carter a household name. Hal Holbrook, her real-life husband, had a recurring role as Julia's beau, Reese Watson; and her daughters, Ginna and Mary Dixie also had guest star roles as Julia's nieces, Jennifer and Camilla Sugarbaker, the latter niece, Camilla, acted exactly like Julia, whilst her sister, Jennifer, acted in a similar manner to Julia's sister, Suzanne (Delta Burke).

In a twist of irony, actress Mary Ann Mobley, who had replaced Dixie as Maggie on Diff'rent Strokes, also guested on Designing Women playing a snide Historical Society representative named Karen, whom Julia found aggravating, especially after she exaggerated her family's history and outright suggested that her male partner, Anthony Bouvier (Meshach Taylor) dress in a slave costume.

She also starred in several Broadway musicals and plays, She appeared on and off-Broadway as well, most recently portraying diva Maria Callas in Terrence McNally's Master Class, a role created by Zoe Caldwell. (Faye Dunaway sought to purchase the film rights to the play, but no film has been made as of 2007)

Carter is noted for her portrayals of Southern women and is known for her Southern pride, which is evident in her product endorsements, like her appearances in commercials for Southern Bell (later BellSouth).

In 2006 and 2007, Dixie Carter found renewed fame with a new generation of fans as the very disturbed and disturbing Gloria Hodge on Desperate Housewives, earning an Emmy nomination for her work on the series. Desperate Housewives creator Marc Cherry started out in Hollywood as Carter's assistant on the set of Designing Women.

Carter's most recent film is I Hate To See That Evening Sun Go Down (working title), which she filmed on location with her husband Hal Holbrook in East Tennessee in the summer of 2008. The film was produced by Dogwood Entertainment (a subsidiary of DoubleJay Creative) and is based on a short story by [William Gay]. Evening Sun has been submitted to the Sundance Film Festival and will premiere on the festival circuit in 2009.

[edit] Future projects

Dixie Carter gave an interview in 2006 for the feature length documentary, That Guy: The Legacy of Dub Taylor [1] on the life of Dub Taylor, which received support from Taylor's family and many of Dub's previous co-workers, including Bill Cosby, Peter Fonda, Don Collier, Cheryl Rogers-Barnett and many others.

Dixie Carter worked with Dub Taylor on an episode of Designing Women. The project is scheduled to have its World Premiere at Taylor's childhood hometown of Augusta, Georgia, on April 14, 2007.

[edit] Political views

Carter is also a registered Republican who describes her political views as libertarian [2]. She was interviewed by Bill O'Reilly along with Pat Boone at the 2000 Republican National Convention. This affiliation often put her at odds with what she was expected to say as Julia Sugarbaker during her years on Designing Women.

Julia was nicknamed "the Terminator" for her cutting tirades; many of the earliest monologues were witty and full of common sense, and Julia also espoused very liberal thoughts, especially as the series progressed, at one point toasting Bill Clinton on air. Carter, who had established a singing career and been featured as the headliner in many concerts, made a deal with the show's producers; for every liberal tirade, she'd get to sing a song in an upcoming episode. Carter once kiddingly described herself as "the only Republican in show business", a reference to her belief that Hollywood is full of liberals. [3].

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